Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Simple

 Being inclined to the over active mind 

makes you vulnerable

in ways unimaginable

to folk who’ve never been waifs or strays.

Every step on the back foot, 

drawing predatory thoughts and hungry looks

to scurrying attempts at connection.


This world seems so simple,

to those who find it simple.

The stacked deck favours the dealer.


Beg, borrow, steal 

mimic, mask. Never reveal

the hollow homunculus you feel,

or worse! Intensely solipsistic;

the only real person in a sea holographic

and loneliness becomes it's own sad satisfaction.

A “rebellion is better than tears” reaction

that eats at your happiness and interactions

until you're accustomed to numb.

You watch others’ battles won,

disaffected, trying to work out how it's done

or at least avoid pitfalls in the future.

And with time an illusory feature 

of other people's lives, who can plan anyway?

Why strive to do more than survive

when that's all you can manage most days?

And that's pushing it.

The path out of the shit is too well disguised

and buried behind the sharks’ smiling lies.

Societal standards seem illogically unwise

and they play the games with loaded dice

and rules they won't explain.

Every minute gain is minimised

by mistaken intentions. Subtle knives

and not so subtle, wasted time 

of trauma born. Mistrustful eyes

turn away from the world.

and back to the half life of disconnection.

That way is safer.


This world is simple

to those who find it simple.


By all means, take advantage of your advantages,

but notice the disadvantaged are taken advantage of

by systems they can't get a purchase on,

and people they dared to rely upon.

And every dismissive assumption you hold

in hands that have never been burned by the cold

is a nail on the bed you told

 us we made on our own.

So we'd better lie in it.

I'm not buying it.


This dance of the butterflies 

is so despised despite it's beauty.

Our average age on day of death is only 12 plus 40.


Disparities so distant instances of juxtaposition jarr intensely out of rhythm and with lyrical precision present suffering as noble when it's not.


It's not.


Applauding us for overcoming obstacles you placed

as if adjudicators in some Ninja Warrior race

feels disingenuous at best.

Gladiators, ready?!

Potential lost is our Roman empire.

No one here dreams of paradise.


This world is simple

 to those who find it simple.


Not the ones you label simple.

They're the most complex of all.








Manx Lit Fest 2015 - Ep.1.

This year's Manx LitFest was a whirl of inspiration for me.

I managed to attend more events than last year, but still not all of the things I wanted. I thoroughly indulged myself and it was most refreshing.

My joys ranged from Matthew Kneale, to Jason Lewis, to the Famous Five, to all the outstanding local poets and storytellers and to Viviane Schwarz.

While I will get around to talking about the other events, it is Viviane Schwarz that I would like to talk to you about today.

Followers of this blog will know that I sketch from time to time and my friends will know that I used to create collages and overly-complicated postcards with interactive pull-downs and pop ups. You may also have noticed that I haven't done this in a little while. With this in mind and a yearning to return to it, I took part in a workshop given by Viviane during Lit Fest.
We swirled vivid colours, created characters and writing implements, learned about stagecraft in relation to the performative aspect of picture books and one of us may have stabbed herself in the finger by accident. (don't worry, it's all healed now.)
Since the workshop I have used the things I learned to create a dummy book of my poem Perdita and have been swooshing about on big pieces of paper with paintbrushes and richly hued inks. It's wonderful.

Yesterday, I tried combining my Eames and Yellow Owl Workshop stamps with some characters. Here's the result:

The best thing was that my son was interested in what I was doing and wanted to join in, but sadly it was too late and he had to go to bed.

This morning, he woke me up with this:


The figure on the left is saying "Fly, my pretty, fly!"
The figure in the middle is saying "Wait!"
The figure on the left is saying "Darling, can you stop saying that?"


Thanks for the inspiration, Viv. Xxxx

Per Luciana Zapparoli - L'Anniversario D'Oro.

I drew this for my mother-in-law on the occasion of my in-laws' 50th wedding anniversary.

It is an image of her on her wedding day.

The "50 anni" on the top right is a dream, not even imagined to her on her wedding day.

All the things listed on the top left are the things that came to pass in their life together - the things she could have forseen: Children, love, problems, work, happiness, hard times, tears, grandchildren, friends, dreams.

The road she is walking is moving her from the past to the future.

The roots under her feet are the roots of their strong relationship, the things that have made their relationship work: Love; Family; Strength; Experience; Luck; Hope; Patience; Determination; Sacrifice; Humour; Morality; the Church; Propriety; Life Education; Faith (and faithfulness - the word is the same in Italian)

I know my sketching skills leave a lot to be desired, but hey. The idea was there, just not the technical ability. Perhaps with practice this is something I can work on.

The Mermaid and The Sloth

Come and meet some friends of mine,
we'll go to where they stay
with toasting glasses held aloft
and witty repartee.
I'm sure we'll have a lovely time -
they're very welcoming.
They are the Mermaid and the Sloth
to them ourselves we'll bring.
Please don't mind their way with words.
Their oft-referenced archaic verse
is harmless at the very worst.
With intelligence they're cursed.
The Mermaid and the Sloth.